Latest release
100 Years Elaheh (in development)
For ten decades, a women turned vampire by a Nazi hides beneath her Qajar mansion in old Tehran, working as a cleaner and anonymous poet. She has outlived coups, revolutions, war and radio. When gentrification threatens to demolish her house, she unleashes her inner...
A Bit of Light (Kami nour)
July 2026
A BIT OF LIGHT (KAMI NOUR) by Ali Asgari, official selection at the Mostra Venezia Concorso 2026 selection / 83nd Venice International Film Festival
Division 7 (in development)
Division 7 – in development
By Maryam Goormaghtigh
Scenario – Maryam Goormaghtigh et Anne Brouillet
People of the winds (postproduction)
December 2020
PEOPLE OF THE WINDS by Kamran Heydari last shootings in Bandar Abbas (Iran) delayed by Covid-19 and sanction issues. Heartfelt thanks to Kamran, his crew and the protagonists of this promising documentary supported by EURODOC 2019.
We Come Into Life
We Come Into Life
By Siu Pham
Fiction 82’
Décembre 2020
Vietnamien st. Angl.
Après la mort subite de leurs parents, sous le choc, durant sept jours, deux adolescents nient la réalité. Pendant ce temps, ils doivent se frayer un chemin dans le monde, seuls. Dans la réalité rude et nostalgique d’une société en plein développement, ils perdent leur virginité et deviennent adultes. (To be translated).
Before Summer Ends
After five years as a student in Paris, Arash has not really adapted to life in France and decides to return to Iran. His two best friends convince him to travel together for the last time to the South, hoping that the trip will change his mind.
Ali Aqa علی آقا
Ali Aqa’s large, fleshy hands shake as he helps a newborn pigeon chick hatch. Sick and old, Ali Aqa refuses to get hospitalized as he would abandon his “sweetheart” pigeons. In Persian slang, these men are called « Love Guys ». His relatives want desperately to save him, while Ali Aqa, consumed by paranoia, wants to save his pigeons. When it goes too far, even the film’s director Kamran Heidari abandons his neutral position as an observer. The situation can have no other way out than drama. Ali Aqa’s character reminds the end of an era which struggles against its own (in)capacity to move forward.
On the endless Road
On the highlands of Northern Vietnam, an old white-man travels on his wretched motorbike, makes friends with a young well-off local couple who has a flying cam. When the old man looses everything, he comes back to the grandmother’s house of his new local friend, but the couple leaves and let him with the old woman and her niece, a Vietnamese school-girl, 10 years-old. The flying cam hits an eye injuring the old man who hopes to stay in this place, to help the little girl for writing an English poem, but the police tells him to leave. We don’t know where will be the old man, is he dead or not on the road?
Homostratus (Mother’s Room)
A city in explosive development. An unique skyscraper tower stands in the center, showing an anonymous wealth and success. Overcrowded streets of human beings, all on motorbikes, get mixed up into circulation streams. A magma of images reflects, without consistency, all ideals of consumption.
Here… or There?
A retired couple, she is Asian, he is European, living modestly in a simple house of a fishermen’s hamlet on the seaside in Vietnam. In a country, where he does not speak nor understands the language, he imagines scenes of life which looks almost like his reality, but...